Cristea Roberts Gallery are exhibiting our latest collaborations with Odili Donald Odita and Yinka Ilori at this year’s EXPO Chicago.
It’s been a pleasure to work with David Batchelor to produce two new limited edition silkscreen artworks for Tate.
Remi Rough has returned to the Atelier JI studios to produce the striking ‘Watching my name go by’ screenprinted edition, including fourteen unique monoprints.
We are thrilled to announce our latest publication project: Mark Titchner’s ‘IT’S THE HOPE THAT KEEPS US HERE’ charity edition in collaboration with BUILDHOLLYWOOD to benefit EveryYouth’s Put Youth Homelessness to Bed campaign.
We were so thrilled to see our latest screenprint project with Conor Harrington, the ‘Down with the King’ edition for Galerie Itinerrance launch just in time for Christmas.
Our latest project with Cristea Roberts Gallery and Yinka Ilori, the ‘Paradise for All’ series of six screenprints launched at Art Basel Miami Beach.
Mark Titchner speaks about the inspiration behind our latest collaborative project, the ‘IT’S THE HOPE THAT KEEPS US HERE’ limited charity edition published by Atelier JI in collaboration with BUILDHOLLYWOOD to benefit EveryYouth.
Mark Titchner speaks about the inspiration behind our latest collaborative project, the ‘IT’S THE HOPE THAT KEEPS US HERE’ limited charity edition published by Atelier JI in collaboration with BUILDHOLLYWOOD to benefit EveryYouth.
We worked with Titchner to produce two colourways of limited edition pigment prints of his ‘IT'S THE HOPE THAT KEEPS US HERE’ artworks, which featured on billboards across the UK this January as a part of BUILDHOLLYWOOD’s Your Space Or Mine project.
100% of the profits from each print sold will be donated to EveryYouth, who work with brilliant front-line organisations across the UK to break down barriers for young people experiencing homelessness.
Inspired by the colours of the sun and sky, Fleur Dempsey’s ‘Yellow and’ and ‘Blue and’ screenprinted limited editions were printed using positives Dempsey carefully painted at our studio and specially formulated inks.
Inspired by the colours of the sun and sky, Fleur Dempsey’s ‘Yellow and’ and ‘Blue and’ screenprinted limited editions were printed using positives Dempsey carefully painted at our studio and specially formulated inks. In her new screenprints, bands of impasto skirted by ruled lines of graphite ink beautifully translate the materiality and gesture of her paintings to print.
Screenprinting requires the creation of stencils from positive images on transparent sheets. When creating autographic screenprints, artists can create entirely original artworks specific to the medium. By drawing, painting, and splattering, the artists' mark-making vocabularies are evidenced in the printed layers of each edition.
To create Idris Khan’s ‘The Four Seasons’ series of twelve original screenprints for Cristea Roberts Gallery, we experimented with layering techniques to emulate the rhythmic stamping used in his compositions.
Courtesy artist and Cristea Roberts Gallery, London. Film by Darrell Tuffs
Atelier JI has had the honour of collaborating with Secunda to reproduce his ‘Mosul Museum’ drawings as photogravure etchings printed using ink made from charcoal the artist collected from the ruins of the Mosul Museum in 2018. Each print was individually hand-finished by Secunda at our studio and packaged alongside a vial of the same charcoal.
The ‘Mosul Museum’ series, produced after Secunda visited Mosul in 2018, is a continuation of his decade-long project documenting the deliberate cultural destruction worldwide, and depict the devastation of the city’s Cultural Museum by ISIS during their occupation, which began in 2014.
Charcoal produced by the fires lit by ISIS was collected from the ruins by Secunda and soldiers from the Iraqi Army, and upon returning to his studio, was mixed with alcohol and gum Arabic to form the unique inks used in the ‘Mosul Museum’ drawings.
Atelier JI has had the honour of collaborating with Secunda to reproduce the drawings as photogravure etchings using the ink made from the collected Mosul Museum charcoal. Each print was individually hand-finished by Secunda at our studio and packaged alongside a vial of the same charcoal.
We’ve had the pleasure of working with Phil Hale and First Thursday to produce the limited edition print ‘ENEMY’, 2024.
Over the past month, we’ve had the pleasure of working with Phil Hale and First Thursday to produce ‘ENEMY’, a limited edition archival pigment print. The edition of 100 was printed at Atelier JI on Hahnemühle Fine Art Pearl stock and has a beautiful reflective quality, capturing the depth of the original oil painting.
Footage courtesy First Thursday and Phil Hale.
A series of twelve screen prints with structured catalysed ink and vinyl on Madrid Litho paper (350 gsm).
Notes on Chromophilia
David Batchelor
This suite of twelve screen prints is based on a series of collages I have been making for the past two years. The collages are derived from an on-going group of spray-painted concrete sculptures, which are in turn adapted from another group of sculptures, which themselves came from . . . That is the way work gets made in my studio: everything is partially connected to what came before it and will have some relationship with what comes after it. As a result, there is no clear starting point or end point.