David Batchelor

Chromophilia, 2025

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Atelier JI are pleased to present Chromophilia, a suite of twelve screen prints by David Batchelor.

Since the 1990s, Batchelor has maintained an ongoing dialogue with colour through sculpture, photography, drawing, writing and printmaking. His influential text Chromophobia investigates how colour in western culture has often been cast as the villain, feared or perceived as a dangerous element. Chromophilia, by contrast, is a direct celebration of colour’s vitality and presence.

David Batchelor, Chromophilia — a vertical stack of torn-edged colour blocks in red, pale aqua, black, purple, yellow and green on white.
Chromophilia 1
David Batchelor

David Batchelor
Chromophilia 1, 2025

Screen print with structured catalysed ink and vinyl on Madrid Litho paper (350 gsm)
mm x mm
Paper and Image: 595mm x 810mm
Edition of 25, I HC, I PP, I BAT
£ 1,440 
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David Batchelor, Chromophilia — a vertical stack of torn-edged blocks in bright blue, periwinkle, pale cream and yellow on white.
Chromophilia 2
David Batchelor

David Batchelor
Chromophilia 2, 2025

Screen print with structured catalysed ink and vinyl on Madrid Litho paper (350 gsm)
mm x mm
Paper and Image: 595mm x 810mm
Edition of 25, I HC, I PP, I BAT
£ 1,440 
EnquireBuy nowSold OutEnquireBuy now
David Batchelor, Chromophilia — a narrow vertical stack of torn-edged blocks in deep green, lilac, yellow, lime and purple on white.
Chromophilia 3
David Batchelor

David Batchelor
Chromophilia 3, 2025

Screen print with structured catalysed ink and vinyl on Madrid Litho paper (350 gsm).
mm x mm
Paper and Image: 595mm x 810mm
Edition of 25, I HC, I PP, I BAT
£ 1,440 
EnquireBuy nowSold OutEnquireBuy now

Chromophilia is available to buy as a set or individually.

Individual Prints: £1,440 each
Please note: Edition numbers 1–20 are strictly reserved for complete box sets

The Portfolio: £14,400
Includes the complete suite of twelve prints housed in a bespoke box

The Special Edition Portfolio: £18,000
The complete suite, accompanied by a unique, original collage created specifically for this release by David Batchelor.

David Batchelor, Chromophilia — a vertical stack of torn-edged blocks in dark teal, red and amber-yellow on white.
Chromophilia 4
David Batchelor

David Batchelor
Chromophilia 4, 2025

£ 1,440 
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David Batchelor, Chromophilia — a tall vertical stack of torn-edged blocks in yellow, orange, green, lilac, purple, yellow and teal on white.
Chromophilia 5
David Batchelor

David Batchelor
Chromophilia 5, 2025

£ 1,440 
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David Batchelor, Chromophilia — a short vertical stack of two torn-edged blocks in pale mint and deep navy blue on white.
Chromophilia 6
David Batchelor

David Batchelor
Chromophilia 6, 2025

£ 1,440 
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Each print presents a one-off balance of semi-regular shapes. Torn edges interrupt the apparent precision of the forms, recalling the rough surfaces and imperfect contours of Batchelor’s concrete sculptures.

The collages are derived from an on-going group of spray-painted concrete sculptures, which are in turn adapted from another group of sculptures. That is the way work gets made in my studio: everything is partially connected to what came before it and will have some relationship with what comes after it. As a result, there is no clear starting point or end point.
- David Batchelor
David Batchelor, Chromophilia — a vertical stack of torn-edged blocks in pale mint, teal, lilac, pink and deep purple on white.
Chromophilia 7
David Batchelor

David Batchelor
Chromophilia 7, 2025

£ 1,440 
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David Batchelor, Chromophilia — a vertical stack of torn-edged blocks in bright yellow, magenta-purple and pale blue on white.
Chromophilia 8
David Batchelor

David Batchelor
Chromophilia 8, 2025

£ 1,440 
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David Batchelor, Chromophilia — a vertical stack of torn-edged blocks in purple, yellow, blue, red, yellow and faint mint on white.
Chromophilia 9
David Batchelor

David Batchelor
Chromophilia 9, 2025

£ 1,440 
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I wanted every stack to have its own unique play of colours. I wanted the colours to be as vivid as possible, but also to be dense and as physical as possible.
Screen printing can produce the strongest, sharpest colours, and it can also allow those colours to sit on the paper rather than be absorbed into it. The results are even better than I expected them to be.
David Batchelor
David Batchelor, Chromophilia — a vertical stack of torn-edged blocks in pale yellow, dark navy, yellow, grey, red and pink on white.
Chromophilia 10
David Batchelor

David Batchelor
Chromophilia 10, 2025

£ 1,440 
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David Batchelor, Chromophilia — a tall vertical stack of two torn-edged blocks in soft pale pink and dark teal on white.
Chromophilia 11
David Batchelor

David Batchelor
Chromophilia 11, 2025

£ 1,440 
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David Batchelor, Chromophilia — a vertical stack of torn-edged blocks in pale mint, red, yellow and magenta on white.
Chromophilia 12
David Batchelor

David Batchelor
Chromophilia 12, 2025

£ 1,440 
EnquireBuy nowSold OutEnquireBuy now

Film

Chromophilia, 2025

Colour is uncontainable. It effortlessly reveals the limits of language and evades our best attempts to impose a rational order on it. To work with colour is to become acutely aware of the insufficiency of language and theory – which is both disturbing and pleasurable.

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Video courtesy of Dan Fontanelli
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