David Batchelor, Chromophilia — a vertical stack of torn-edged colour blocks in red, pale aqua, black, purple, yellow and green on white.

David Batchelor
Chromophilia 1, 2025

Screen print with structured catalysed ink and vinyl on Madrid Litho paper (350 gsm)

mm x mm

Paper and Image: 595mm x 810mm

Edition of 25, I HC, I PP, I BAT

£ 1,440

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David Batchelor, Chromophilia — a vertical stack of torn-edged blocks in bright blue, periwinkle, pale cream and yellow on white.

David Batchelor
Chromophilia 2, 2025

Screen print with structured catalysed ink and vinyl on Madrid Litho paper (350 gsm)

mm x mm

Paper and Image: 595mm x 810mm

Edition of 25, I HC, I PP, I BAT

£ 1,440

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David Batchelor, Chromophilia — a narrow vertical stack of torn-edged blocks in deep green, lilac, yellow, lime and purple on white.

David Batchelor
Chromophilia 3, 2025

Screen print with structured catalysed ink and vinyl on Madrid Litho paper (350 gsm).

mm x mm

Paper and Image: 595mm x 810mm

Edition of 25, I HC, I PP, I BAT

£ 1,440

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David Batchelor, Chromophilia — a vertical stack of torn-edged blocks in dark teal, red and amber-yellow on white.

David Batchelor
Chromophilia 4, 2025

Screen print with structured catalysed ink and vinyl on Madrid Litho paper (350 gsm)

mm x mm

Paper and Image: 595mm x 810mm

Edition of 25, I HC, I PP, I BAT

£ 1,440

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David Batchelor, Chromophilia — a tall vertical stack of torn-edged blocks in yellow, orange, green, lilac, purple, yellow and teal on white.

David Batchelor
Chromophilia 5, 2025

Screen print with structured catalysed ink and vinyl on Madrid Litho paper (350 gsm)

mm x mm

Paper and Image: 595mm x 810mm

Edition of 25, I HC, I PP, I BAT

£ 1,440

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David Batchelor, Chromophilia — a short vertical stack of two torn-edged blocks in pale mint and deep navy blue on white.

David Batchelor
Chromophilia 6, 2025

Screen print with structured catalysed ink and vinyl on Madrid Litho paper (350 gsm)

mm x mm

Paper and Image: 595mm x 810mm

Edition of 25, I HC, I PP, I BAT

£ 1,440

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David Batchelor, Chromophilia — a vertical stack of torn-edged blocks in pale mint, teal, lilac, pink and deep purple on white.

David Batchelor
Chromophilia 7, 2025

Screen print with structured catalysed ink and vinyl on Madrid Litho paper (350 gsm)

mm x mm

Paper and Image: 595mm x 810mm

Edition of 25, I HC, I PP, I BAT

£ 1,440

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David Batchelor, Chromophilia — a vertical stack of torn-edged blocks in bright yellow, magenta-purple and pale blue on white.

David Batchelor
Chromophilia 8, 2025

Screen print with structured catalysed ink and vinyl on Madrid Litho paper (350 gsm)

mm x mm

Paper and Image: 595mm x 810mm

Edition of 25, I HC, I PP, I BAT

£ 1,440

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David Batchelor, Chromophilia — a vertical stack of torn-edged blocks in purple, yellow, blue, red, yellow and faint mint on white.

David Batchelor
Chromophilia 9, 2025

Screen print with structured catalysed ink and vinyl on Madrid Litho paper (350 gsm)

mm x mm

Paper and Image: 595mm x 810mm

Edition of 25, I HC, I PP, I BAT

£ 1,440

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David Batchelor, Chromophilia — a vertical stack of torn-edged blocks in pale yellow, dark navy, yellow, grey, red and pink on white.

David Batchelor
Chromophilia 10, 2025

Screen print with structured catalysed ink and vinyl on Madrid Litho paper (350 gsm)

mm x mm

Paper and Image: 595mm x 810mm

Edition of 25, I HC, I PP, I BAT

£ 1,440

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David Batchelor, Chromophilia — a tall vertical stack of two torn-edged blocks in soft pale pink and dark teal on white.

David Batchelor
Chromophilia 11, 2025

Screen print with structured catalysed ink and vinyl on Madrid Litho paper (350 gsm)

mm x mm

Paper and Image: 595mm x 810mm

Edition of 25, I HC, I PP, I BAT

£ 1,440

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David Batchelor, Chromophilia — a vertical stack of torn-edged blocks in pale mint, red, yellow and magenta on white.

David Batchelor
Chromophilia 12, 2025

Screen print with structured catalysed ink and vinyl on Madrid Litho paper (350 gsm)

mm x mm

Paper and Image: 595mm x 810mm

Edition of 25, I HC, I PP, I BAT

£ 1,440

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David Shillinglaw

The Universal Humanoid, 2026

Hand-coloured variations

Learn More

New etchings by David Shillinglaw

David Shillinglaw
The Cosmic Being, 2026

Etching

mm x mm

Paper and Image: 250mm x 320mm

Edition of 20 + 5 hand-coloured variations

£ 300

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David Shillinglaw
The Universal Humanoid, 2026

Etching

mm x mm

Paper and Image: 250mm x 320mm

Edition of 20 + 5 hand-coloured variations

£ 300

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David Shillinglaw, The Cosmic Being — a hand-coloured etching of a symbolic figure with a raised hand, single eye, keys and hearts.

David Shillinglaw
The Cosmic Being, 2026

Hand-coloured variations

Etching

mm x mm

Paper and Image: 250mm x 320mm

Unique hand-coloured variation

£ 594

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David Shillinglaw, The Universal Humanoid — a hand-coloured etching of a densely patterned stacked figure crowded with eyes, symbols and motifs.

David Shillinglaw
The Universal Humanoid, 2026

Hand-coloured variations

Etching

mm x mm

Paper and Image: 250mm x 320mm

Unique hand-coloured variation

£ 594

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Prints by Remi Rough

Remi Rough, Watching my name go by — three horizontal bands of sharp geometric shapes in bold colour and halftone with a large black form below, on warm grey.

Remi Rough
Watching my name go by, 2025

£ 570

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Remi Rough, Watching my name go by — angular blocks of colour in three bands on grey, the lowest band unique to this monoprint.

Remi Rough
Watching my name go by, 2025

Monoprints

£ 714

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Remi Rough, Style Writer Extraordinaire — sharp diagonal shards in blue, orange, black and deep red against a soft pale ground, pencil-signed below.

Remi Rough
Style Writer Extraordinaire, 2021

£ 498

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Prints by Fleur Dempsey

Fleur Dempsey, Green and — horizontal stripes in greens and yellows with a single raised orange impasto band across the centre, on white.

Fleur Dempsey
Green and, 2025

£ 390

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Fleur Dempsey, Orange and — horizontal stripes in warm oranges, reds and yellows with a single raised pale-violet impasto band across the centre, on white.

Fleur Dempsey
Orange and, 2025

£ 390

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Fleur Dempsey, Yellow and — a field of yellow and blush stripes with raised green, brown, red and blue impasto bands.

Fleur Dempsey
Yellow and, 2024

£ 420

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Fleur Dempsey, Blue and — a field of blue and tan stripes with raised yellow, pink, green and lilac impasto bands.

Fleur Dempsey
Blue and, 2024

£ 420

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Prints by Mark Titchner

Mark Titchner
IT'S THE HOPE THAT KEEPS US HERE, 2025

Blue

£ 180

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Mark Titchner, It's The Hope That Keeps Us Here (Red) — the title in bold white capitals over swirling red, orange and yellow colour with clasped hands emerging.

Mark Titchner
IT'S THE HOPE THAT KEEPS US HERE, 2025

Red

£ 180

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Prints by Adam Taylor

Adam Taylor, Swimming Lanes — yellow, orange, navy and black vertical bands at the right of a mottled pale blue field.

Adam Taylor
Swimming Lanes, 2023

£ 270

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Adam Taylor, Estuary — thick dark green meandering brushstrokes winding across a dusty pink ground with copper-stained edges.

Adam Taylor
Estuary, 2023

£ 270

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Piers Secunda

Mosul Museum I-V, 2022

Learn More

Piers Secunda, Mosul Museum I — monochrome etching of a carved stone sculpture lying amid rubble, shown with its vial of Mosul charcoal.

Piers Secunda
Mosul Museum I, 2022

Hand-finished etching with Mosul Museum Ink on Somerset Satin 330gsm

mm x mm

Paper and Image: 400mm x 320mm

Edition of 20

£ 240

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Piers Secunda, Mosul Museum II — shattered stone and fallen masonry in the ruined museum hall, shown with its charcoal vial.

Piers Secunda
Mosul Museum II, 2022

Hand-finished etching with Mosul Museum Ink on Somerset Satin 330gsm

mm x mm

Paper and Image: 400mm x 320mm

Edition of 20

£ 240

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Piers Secunda, Mosul Museum III — burnt museum interior, arched windows above a debris-strewn floor, deep shadow at right.

Piers Secunda
Mosul Museum III, 2022

Hand-finished etching with Mosul Museum Ink on Somerset Satin 330gsm

mm x mm

Paper and Image: 400mm x 320mm

Edition of 20

£ 240

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Piers Secunda, Mosul Museum IV — toppled inscribed stone panels and scattered papers, shown with its charcoal vial.

Piers Secunda
Mosul Museum IV, 2022

Hand-finished etching with Mosul Museum Ink on Somerset Satin 330gsm

mm x mm

Paper and Image: 400mm x 320mm

Edition of 20

£ 240

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Piers Secunda, Mosul Museum V — broken statues on plinths amid rubble, a radiating halo behind, shown with its charcoal vial.

Piers Secunda
Mosul Museum V, 2022

Hand-finished etching with Mosul Museum Ink on Somerset Satin 330gsm

mm x mm

Paper and Image: 400mm x 320mm

Edition of 20

£ 240

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Prints by Katherine Jones

Katherine Jones, Boreal Forest — water jets rising from a dark pond before trees, printed in sepia halftone across six panels.

Katherine Jones RA
Boreal Forest, 2015

£ 5,400

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Katherine Jones, Pool Shell — a dim living room with sofas and a bright window, dissolving into dotted halftone.

Katherine Jones RA
Pool Shell, 2015

£ 5,400

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Katherine Jones, Fortress — a sheet-and-cushion den built across a sofa, pale angular forms against dark halftone.

Katherine Jones RA
Fortress, 2015

£ 5,400

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Katherine Jones, Map of Shifting Land — a great draped sheet folded over a form, pale ridges against a dark dotted ground.

Katherine Jones RA
Map of Shifting Land, 2015

£ 5,400

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Katherine Jones, My Children's Table — a table and chairs in dense blacks and greys, a glowing pink and yellow doorway at the centre.

Katherine Jones RA
My Children's Table, 2018

£ 480

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Katherine Jones, A Light To See By — a glowing paper lantern seen from below, its ribbed frame warm against deep black.

Katherine Jones RA
A Light To See By, 2018

£ 480

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Katherine Jones, Spill Over — a basin with two taps seen from above, yellow and white light pooling against black.

Katherine Jones RA
Spill Over, 2018

£ 480

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Now Available

Anita Klein, Maggie in Autumn — a woman and child reclining together among autumn leaves, in black, olive and tan.

Anita Klein
Maggie in Autumn, 2023

Hand Finished

Hand-finished Silkscreen Print in 3 Colours on Somerset Satin 410gsm

mm x mm

Paper and Image: 1155mm x 850mm

Edition of 10, unique and numbered: I - X/X

£ 1,470

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Brett Amory, Waiting #371 — figures outside a "Panadería" bakery storefront in muted tones with blue and peach accents, printed from a grainy photographic image.

Brett Amory
Waiting #371, 2022

6 colour screen print on Somerset Satin Tub-Sized 410gsm

mm x mm

Paper and Image: 800mm x 600mm

Edition of 30

£ 210

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Sadie Tierney, Utpåturaldrisur (Wastwater Screes) — scree slopes plunging to a dark lake, a lone pine and hut, in crimson and blue.

Sadie Tierney
Utpåturaldrisur (Wastwater Screes), 2019

Hand-finished four-layer autographic screenprint on Somerset Velvet 300gsm with hand-torn edges

mm x mm

Paper and Image: 560mm x 370mm

Edition of 20 (+ 2 APs)

£ 600

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Sadie Tierney, Utpåturaldrisur (Great Gable) — a bold outlined peak under a mottled pink and blue sky, in crimson and blue.

Sadie Tierney
Utpåturaldrisur (Great Gable), 2019

Hand-finished four-layer autographic screenprint on Somerset Velvet 300gsm with hand-torn edges

mm x mm

Paper and Image: 560mm x 370mm

Edition of 20 (+ 2 APs)

£ 600

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Amy Stephens, Dark Star — a dark angular wedge cutting across frozen water before a towering glacial ice wall, in stark black and white.

Amy Stephens
Dark Star, 2015

Screenprint on Somerset Satin 410gsm

mm x mm

Paper and Image: 840mm x 1180mm

Edition of 5 (+ 2 APs)

£ 4,320

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Chloe Manasseh, XXL – Navigate — layered desert landscape and painterly colour washes overlapping in an archival pigment print.

Chloë Manasseh
XXL - Navigate, 2017

Series

£ 210

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Chloe Manasseh, The Banana Tree — a kaleidoscopic, near-symmetrical burst of yellows and greens with black and pink, radiating outward.

Chloë Manasseh
The Banana Tree, 2017

£ 390

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Chloe Manasseh, Strange Flower — loose watercolour-style palms and blooms in warm reds, oranges and yellows against a pale ground.

Chloë Manasseh
Strange Flower, 2015

£ 456

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Amy Gear, Where We Meet — textured deep-blue water meeting a peach-toned shore in dense hand-drawn marks, with pale grey between them.

Amy Gear
Where We Meet, 2018

Screen print on Southbank Archival Paper

mm x mm

Paper and Image: 780mm x 590mm

Edition of 15 + 2 APs

£ 570

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Prints & Multiples

Complete portfolio of twelve prints

Hand-coloured variations

New etchings by David Shillinglaw

Prints by Remi Rough

Prints by Fleur Dempsey

Prints by Mark Titchner

Prints by Adam Taylor

Prints by Katherine Jones

Now Available

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